Archive for the ‘Gigs’ Category

An Afternoon With Maya

Tuesday, August 24th, 2010

Five of Melbourne’s best experimental acts have organised for you the opportunity to see them play new soundtracks live to the films of Maya Deren.
Maya Deren was the first lady of avant-garde film making in the 1940’s and 1950’s, not only a filmmaker in her own right but also collaborating with the likes of Marcel Duchamp and Antony Tudor. http://en.wikipedia.org/wiki/Maya_Deren Her films are a wonderfully textured and moodily lit black and white and deal with themes such as ritual, movement, violence and beauty.

On 4th September  Occult Blood, Rottuer, Siilt, Electronic Shaman and Abre Ojos will play their own unique soundtracks to her films, including improvisations between Occult Blood and Rotteur, – Sillt, Electronic Shaman and Abre Ojos.

The films screened are:

Occult Blood: At Land

Rotteur: Ritual in Transfigured Time
Electronic Shaman: Meshes of The Afternoon

Siilt: Meditation on Violence
Abre Ojos: The Very Eye of Night

With collaboration performances to:
Witches Cradle and an edited version of Divine Horsemen- The Living Gods of Haiti

Saturday 4th September
Doors open 2.00pm at Loop Bar 23 Meyers Place Melbourne, Tix $10 full/ $5 Conc.

http://www.looponline.com.au

Occult Blood: noise wall degrading tape loops vocals to resurrect Maya herself http://www.myspace.com/occultblood
Rottuer: Rotteur makes cold, desolate soundscapes, haunted by droning machinery and sparse abstracted electronics. http://www.myspace.com/rotteur
Electronic Shaman: follower of the left hand path delivers resonance from the forgotten tombs of the old ones and stygian vistas of distant worlds http://electronicshaman.com
Siilt: siilt is dusty voltage-controlled atmospheres and loops by s.klein, also of Terminal Sound System (Extreme Music, AU) and HALO (Relapse Records, USA). www.antisound.net
Abre Ojos:  is improvised sound and vision for dystopian meditation http://abreojos.net

Bene Gesserit is a regular thang!

Tuesday, August 24th, 2010

Good news for Melbourne lovers of the noisy dark- Bene Gesserit is now a regular feature on the last Monday of the month at Loop Bar. This opens the way for it to be not only the stage for some of melb’s finest experimenters, but also as a forum for everyone to come discuss, collaborate and experiment. The next one is:

MONDAY 30 August – 9pm – BENE GESSERIT HOUSE NURSERIES

Bene Gesserit House Nurseries presents another night of chilling dark ambient cinema featuring regular artists Abre Ojos collab set with Bene Gesserit founder B.Taylor. Shanie Reynolds returned with his project ‘Czura’ along with the dank resonance of Rotteur. The laptop manglings of Illuminoscilate as well as new to the House Nurseries bill ‘Electronic Shaman’ and MV. Promises to be a good night in Loop’s engine room. Free Entry as always \m/

Really looking forward to the collaboration with B.Taylor!

Bene Gesserit @ Loop Tues 6th July

Sunday, July 4th, 2010

Bene Gesserit turns it on again for a night of dark experimental goodness this Tuesday at Loop Bar. This month features six artists paired up and set head to head in an improv showdown:
ROTTEUR vs MANTICLE
BEN TAYLOR vs SHAUN SOUTH
ILLUMINOSCILLATE vs ABRE OJOS
CZURA

Free entry!
Tuesday 6 July from 8.30pm at Loop Project Art Space & Bar
23 Meyers Place Melbourne CBD

Spiral Galaxy @ Fed Square

Sunday, July 4th, 2010

The Spiral Galaxy tracks were recently featured as a part of ‘AUSthetic – Artists Uncovered Showcase’- an ongoing compilation of new and emerging Australian video artists and filmmakers playing at Federation Square.

Here are some pics. I have to say thanks to Jody and the team at Circus for making this happen!

 

 

 

Live at Bene Gesserit

Thursday, June 17th, 2010

It was a great gig at Bene Gesserit Nursery at Loop last week. Met some great people and got to play with some amazing artists. Definitely check out Rottuer who played a complex chain of pedals and created a thick warm blanket of sound punctuated with the cold winter wind turned into sound. Hunt Hunter was perfectly balanced between almost danceable synth lines and processed out of control vocals. Shane Reynolds not only kicked out a wicked set but also recorded all of us on his Zoom H4 MkII. Below is my recording which is a mix of the desk and room audio, a nifty trick of the new H4. Also pics are by Ben from Hunt Hunter.
NGC2835 in Hydra Live at LoopBar June 2010

Bene Gesserit

Friday, May 28th, 2010

The esteemed Bene Gesserit Nursery is back!

Bene Gesserit House Nurseries collective returns this year with another in a series of nights of dark ambient/Avant garde live film score. The marriage and interaction of film to music. This time featuring the improvised sound and vision ‘for dystopian meditations’ of artist Abre Ojos alonside the vast dark of Rotteur, the audio/visual artist Shane Reynolds and new collaboration/hunting party of Ben Taylor and Luke Dyball. ‘Hunt Hunter’ (featuring hunt footage by artist Eliza Dyball) Presented for the first time at Loop – the house nursery opens it’s incubators to public once again on the 2nd june in it’s third year of gestation/conception – 2010.

Wednesday 2 June from 8.00pm at Loop Project Art Space & Bar
23 Meyers Place Melbourne CBD

Ascension Engine

Wednesday, January 20th, 2010

For those brave souls heading off to Rainbow Serpent this year here’s a little something you might want to check out:

flyer_lo_resRainbow Serpent welcomes a new event to the festival- Ascension Engine is an audio visual cornucopia of meditative sound and vision from some of Australia’s finest audio visual
experimenters. With sacred frequencies, audio reactive mandalas for meditation, blissful binaural beats and alchemical transformations through sound and vision.
Ascension Engine is a discreet part of the Crystal Mandala and comes alive at 10pm on Friday and Sunday nights until 2am.

Artists playing include:
Sacred Resonance http://www.ultimalive.blogspot.com/ http://www.sacredresonance.com.au/
Duo from South Australia – Darren Curtis <BA.Hon.MUS.St.> and Bradley Pitt set up Sacred Resonance through visionary thinking and higher experience of the sacred, incorporating new media of biofeedback and immersive entrainment through sonic and visual design.

Electronic Shaman http://electronicshaman.com
Wielding laptop processed field recordings and synthesised frequencies

Abre Ojos http://abreojos.net
Exploring the realms of synesthesia by creating an immersive audio visual experience, it is improvised sound and vision for dystopian meditation

Look to the Skies http://looktotheskies.net
An improvised laptop collaboration exploring deep soundscapes with cinematic landscapes

Zen Paradox
The esteemed electronic music pioneer doing a special ambient set just for the Crystal Mandala & Ascension Engine

phase-loc
phase-loc is Ross Healy (Cray, Amnesia, 56k, This Digital Ocean etc) and Simon Birds of VICMOD teaming up to bring you an ambient, electro acoustic space set.

Running Times
Friday 22nd Jan
10.00 – 10.45 Look to the Skies
11.15 – 12.00 VICMOD Ross & Simon
12.30 – 1.15 Sacred Resonance

Sunday 24th Jan
10.00 – 10.45 Zen Paradox
11.15 – 12.00 Electronic Shaman
12.30 – 1.15 Abre Ojos

live @ electundra

Tuesday, December 1st, 2009

Here is the live recording of NGC1313 Spiral Galaxy from the recent performance at Electundra. More info soon.

new modular rack

Friday, November 20th, 2009

new_rack02I took some more pics of the new rack unpatched so you can see the current module selection, there are about another 3ru plus a bit more of modules left over. Here’s the pics and a bit of behind the scenes:

The motivation behind making a new rack was wanting a combined studio/live rig as constantly after playing a gig the studio wouldn’t get set backup straight away. I have had the Roadready rackcase for over two years (a bargain of evilBay for $50) and had the mixer and rack effects bolted into it. If you go back and look at the previous case, the sexy thing it is, it held just under 9ru of modules and was pretty ergonomic when placed on the guitar stand, but being 6′4″ it was still a pain if I had to set up on a low bench or table and the rack case with it’s angled top seemed like it would be the suitable height for me . The next issue was with the Doepfer A-138d FX insert module, being that it was painful having to unplug all my pedals, power leads etc each time I went to a gig. Finally I needed a new audio interface as I wanted to run two seperate channels from it into Ableton Live for individual processing, and with only two inputs on the X-Station (see above previous case pic) one was taken with the mic and one taken with the modular. After a bunch of research I decided upon the TC Electronic Konnekt 24D due to its price, features (4 in 4 out plus built in efx that work as plugins) and a few good reviews from friends (thanx Boyd) and the intertubes. I did look at the MOTU Ultralite and had thoughts of Volta or Silentway, but it was about $200 outside of my budget. Maybe that will be the next upgrade…

So the last thing to find was a rack drawer for the pedals and interface. I first found a rack mounted keyboard drawer but it was too shallow for the highest pedal I have – the Frostwave Sonic Alienator – I could have done surgery on the rack with a cutoff blade but luckily I then new_rack01found the SKB VS-1 velcro shelf which was perfect. No height restrictions, velcro to stop everything sliding around, a latch so it won’t roll out by itself and SKB quality. Unfortunately there were none in OZ, no one OS is contractually allowed to ship them retail, and the distributor wasn’t getting anymore until late Jan but after ringing them and getting a list of retailers that had recently taken delivery I called Factory Sound and happy happy joy joy they had one left! Plus I got to meet Ben who is another dark ambient/noise/experimental crazy!

The whole thing then had to be assembled, I bought a bunch of CGS euro distroboards from the wonderful Mr Stone, spent a day or two soldering, rigging up the power supply, drilling a 1ru utility strip which includes a Doepfer A-138b mixer, a Plan B Model 40 Headphone PreAmp & Leveler plus 4 X 4 multiples. The rack was built using 50mm X 20mm angle from Bunnings and six Schroff rails I have picked up along my modular journey.

new_rack03In the assembly process I even worked out that I would be able to include my Korg AM8000R multi-efx in the rack and use Ableton’s external effect plugin! And here is the result. One gig last week and another today and all is well, easy to set up break down with one power plug, a stereo cable to the house mixer or DI, a firewire cable into the laptop and I’m away. It is a bit heavy to lug, and it won’t go on an airplane, but for around town or roadtrips its perfect. The next stage is to modify a laptop stand to sit above it.

Anyway enjoy the pics, drop me a line if you have any questions :-)

Sneak Peek

Friday, November 13th, 2009

hillingar_setup

here is the set up for the gig at Electundra tomorrow with Zac. I have just gone thru moving the modular into the roadcase giving me a full (RU of eurorack modular plus room for a sliding drawer for pedals, audio interface hidden inside and my trusty Korg AM8000R effects unit which is set up as a send effect in Ableton Live.

And here is another sneak peek at some of the images for the performance. Again the visuals are all set up in Quartz Composer and are audio reactive.

hillingar_img03

hillingar_img01

See you there!